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Préface - Mondothèque

Préface

From Mondothèque

Revision as of 16:34, 25 June 2016 by Natacha (talk | contribs)

This Radiated Book started three years ago with an e-mail from the Mundaneum archive center in Mons. In-between exclamation marks it announced that Elio di Rupo, then prime minister of Belgium, was about to sign a collaboration agreement between the archive center and Google. Ce Radiated Book est un projet qui à démarré il y a déjà 3 ans à la réception d'un e-mail provenant du centre d'archives du Mundaneum à Mons. Entre deux points d'exclamation le message annonçait que Elio di Rupo, alors premier ministre de Belgique, était sur le point de signer un accord portant sur une future collaboration entre le centre d'archives et Google.

The newsletter cited an article in the French newspaper Le Monde that coined the Mundaneum as 'Google on paper' [1]. It was our first encounter with many variations on the same theme. La newsletter citait un article du Monde magazine qui faisait du Mundaneum un "Google de papier" [2]. Ce fut notre première recontre avec la première de nombreuses ittérations de ce thème.

The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo. Due to the re-branding of Paul Otlet as a ‘founding father of the Internet’, and ‘visionary inventor of Google on paper’, Otlet's oeuvre finally start to receive international attention. L'ancienne région minière sise autour de Mons est également le terrain où Google a installé son plus grand "datacenter" Européen, comme cela a été négocié par le même Di Rupo. Di Rupo seized the moment by turning the Mundaneum into a central node in his campaign to transform the industrial heartland into a home for The Internet Age. Google — grateful for discovering posthumous its francophone roots — sent chief evangelist Vint Cerf to the Mundaneum. In turn, the archive center allowed the company to publish hundreds of documents on the website of Google Cultural Institute. Di Rupo à choisi ce moment en faisant du Mundaneum un élément central de sa campagne pour transformer la zone industrielle en un pole de l'époque de l'internet. Google - reconnaissant de la découverte posthume de racines francophones - envoie son évangéliste en chef Vint Cerf au Mundaneum. En échange, le centre d'archives a permis à l'entreprise de publier des centaines de documents sur le site internet du Google Cultural Institute.

While the physical resemblance between a row of drawers and a server farm might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by Paul Otlet and Henri Lafontaine with the enterprise of the search giant. The statement 'Google on paper' acted as a provocation, evoking other cases where geographically situated histories are being turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.

An international band of artists, archivists and activists set out to unravel the many layers of this story. Meshing the historical Mundaneum project with the mission of Alphabet Inc[3] speaks of manipulative simplification on multiple levels, but to de-tangle its implications was easier said than done. Some of us were drawn by the misrepresentation of the oeuvre of Paul Otlet himself, others felt the urgency to give an account of its Brussels' roots, or to re-insert the work of maintenance and care taking into the his/story of forefathers and founding fathers, yet others joined out of concern with the bleak future of cultural institutions.

We installed a Semantic MediaWiki and named it after the Mondothèque, a device imagined by Paul Otlet in 1934. The wiki functioned as an online repository and frame of reference for the work that was developed through meetings, visits and presentations. [4] For Otlet, the Mondothèque was to be an 'intellectual machine': at the same time archive, link generator, writing desk, catalog and broadcast station. Thinking the museum, the library, the encyclopedia, and classificatory language as a complex and interdependent web of relations, Otlet imagined each element as a point of entry for the other. He stressed that responses to displays in a museum involved intellectual and social processes that where different from those involved in reading books in a library, but that one in a sense entailed the other. [5]. The dreamed capacity of the Mondothèque was to interface scales, perspectives and media at the intersection of all those different practices. For us, by transporting a historical device into the future, it figured as a kind of 'thinking machine', a place to analyse historical and social locations of the Mundaneum project, a platform to envision our small but persistent interventions together. The speculative figure of Mondothèque enabled us to begin to understand the situated formations of power around the project, and allowed us to think through possible forms of resistance. [6]

The wiki at http://mondotheque.be grew into a labyrinth of images, texts, maps and semantic links, tools and vocabularies. MediaWiki is a Free software infrastructure developed in the context of Wikipedia and comes with many assumptions about the kind of connections and practices that are desirable. We wanted to work with Semantic extensions specifically because we were interested in the way The Semantic Web[7] seemed to resemble Otlet's Universal Decimal Classification system. At many moments we felt ourselves going down the rabbit-holes of universal completeness, endless categorisation and nauseas of scale. It made the work at times uncomfortable, messy and unruly, but it allowed us to do the work of unravelling in public, mixing political urgency with poetic experiments.

This Radiated Book was made because we wanted to create a moment, an incision into that radiating process that allowed us to invite many others a look at the interrelated materials without the need to provide a conclusive document. As a salute to Otlet's ever expanding Radiated Library, we decided to write, edit and generate the publication directly from the MediaWiki platform which explains some of the welcome anomalies on the very pages of this object.

The four chapters that we propose each mix fact and fiction, text and image, document and catalogue. In this way, process and content are playing together and respond to the specific material entanglements that we encountered. Mondotheque, and as a consequence this Radiated book, is a multi-threaded, durational, multi-scalar adventure that in some way diffracts the all-encompassing ambition that Mundaneum strived for.

Embedded hierarchies addresses how classification systems, and the dream of their universal application actually operate. It brings together contributions that are concerned with knowledge infrastructures at different scales, from disobedient libraries, institutional practices of the digital archive, meta-data structures to indexing as a pathological condition.

Disambiguation dis-entangles some of the similarities that appear around the heritage of Paul Otlet. Through a close-reading of seemingly similar biographies, terms and vocabularies it re-locates ambiguity to other places.

Location, location, location is an account of geo-political layers at work. Following the itinerant archive of Mundaneum through the capital of Europe, we encounter local, national and global Utopias that in turn leave their imprint on the way the stories play out. From the hyperlocal to the global, this chapter traces patterns in the physical landscape.

Cross-readings consists of lists, image collections and other materials that make connections emerge between historical and contemporary readings, unearthing possible spiritual or mystical underpinnings of the Mundaneum, and transversal inclusions of the same elements in between different locations.

The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological instruments that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. Only then can we go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable. This Radiated Book started three years ago with an e-mail from the Mundaneum archive center in Mons. In-between exclamation marks it announced that Elio di Rupo, then prime minister of Belgium, was about to sign a collaboration agreement between the archive center and Google. Ce Radiated Book est un projet qui à démarré il y a déjà 3 ans à la réception d'un e-mail provenant du centre d'archives du Mundaneum à Mons. Entre deux points d'exclamation le message annonçait que Elio di Rupo, alors premier ministre de Belgique, était sur le point de signer un accord portant sur une future collaboration entre le centre d'archives et Google.

The newsletter cited an article in the French newspaper Le Monde that coined the Mundaneum as 'Google on paper' [8]. It was our first encounter with many variations on the same theme. La newsletter citait un article du Monde magazine qui faisait du Mundaneum un "Google de papier" [9]. Ce fut notre première recontre avec la première de nombreuses ittérations de ce thème.

The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo. Due to the re-branding of Paul Otlet as a ‘founding father of the Internet’, and ‘visionary inventor of Google on paper’, Otlet's oeuvre finally start to receive international attention. L'ancienne région minière sise autour de Mons est également le terrain où Google a installé son plus grand "datacenter" Européen, comme cela a été négocié par le même Di Rupo. Di Rupo seized the moment by turning the Mundaneum into a central node in his campaign to transform the industrial heartland into a home for The Internet Age. Google — grateful for discovering posthumous its francophone roots — sent chief evangelist Vint Cerf to the Mundaneum. In turn, the archive center allowed the company to publish hundreds of documents on the website of Google Cultural Institute. Di Rupo à choisi ce moment en faisant du Mundaneum un élément central de sa campagne pour transformer la zone industrielle en un pole de l'époque de l'internet. Google - reconnaissant de la découverte posthume de racines francophones - envoie son évangéliste en chef Vint Cerf au Mundaneum. En échange, le centre d'archives a permis à l'entreprise de publier des centaines de documents sur le site internet du Google Cultural Institute.

While the physical resemblance between a row of drawers and a server farm might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by Paul Otlet and Henri Lafontaine with the enterprise of the search giant. The statement 'Google on paper' acted as a provocation, evoking other cases where geographically situated histories are being turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.

An international band of artists, archivists and activists set out to unravel the many layers of this story. Meshing the historical Mundaneum project with the mission of Alphabet Inc[10] speaks of manipulative simplification on multiple levels, but to de-tangle its implications was easier said than done. Some of us were drawn by the misrepresentation of the oeuvre of Paul Otlet himself, others felt the urgency to give an account of its Brussels' roots, or to re-insert the work of maintenance and care taking into the his/story of forefathers and founding fathers, yet others joined out of concern with the bleak future of cultural institutions.

We installed a Semantic MediaWiki and named it after the Mondothèque, a device imagined by Paul Otlet in 1934. The wiki functioned as an online repository and frame of reference for the work that was developed through meetings, visits and presentations. [11] For Otlet, the Mondothèque was to be an 'intellectual machine': at the same time archive, link generator, writing desk, catalog and broadcast station. Thinking the museum, the library, the encyclopedia, and classificatory language as a complex and interdependent web of relations, Otlet imagined each element as a point of entry for the other. He stressed that responses to displays in a museum involved intellectual and social processes that where different from those involved in reading books in a library, but that one in a sense entailed the other. [12]. The dreamed capacity of the Mondothèque was to interface scales, perspectives and media at the intersection of all those different practices. For us, by transporting a historical device into the future, it figured as a kind of 'thinking machine', a place to analyse historical and social locations of the Mundaneum project, a platform to envision our small but persistent interventions together. The speculative figure of Mondothèque enabled us to begin to understand the situated formations of power around the project, and allowed us to think through possible forms of resistance. [13]

The wiki at http://mondotheque.be grew into a labyrinth of images, texts, maps and semantic links, tools and vocabularies. MediaWiki is a Free software infrastructure developed in the context of Wikipedia and comes with many assumptions about the kind of connections and practices that are desirable. We wanted to work with Semantic extensions specifically because we were interested in the way The Semantic Web[14] seemed to resemble Otlet's Universal Decimal Classification system. At many moments we felt ourselves going down the rabbit-holes of universal completeness, endless categorisation and nauseas of scale. It made the work at times uncomfortable, messy and unruly, but it allowed us to do the work of unravelling in public, mixing political urgency with poetic experiments.

This Radiated Book was made because we wanted to create a moment, an incision into that radiating process that allowed us to invite many others a look at the interrelated materials without the need to provide a conclusive document. As a salute to Otlet's ever expanding Radiated Library, we decided to write, edit and generate the publication directly from the MediaWiki platform which explains some of the welcome anomalies on the very pages of this object.

The four chapters that we propose each mix fact and fiction, text and image, document and catalogue. In this way, process and content are playing together and respond to the specific material entanglements that we encountered. Mondotheque, and as a consequence this Radiated book, is a multi-threaded, durational, multi-scalar adventure that in some way diffracts the all-encompassing ambition that Mundaneum strived for.

Embedded hierarchies addresses how classification systems, and the dream of their universal application actually operate. It brings together contributions that are concerned with knowledge infrastructures at different scales, from disobedient libraries, institutional practices of the digital archive, meta-data structures to indexing as a pathological condition.

Disambiguation dis-entangles some of the similarities that appear around the heritage of Paul Otlet. Through a close-reading of seemingly similar biographies, terms and vocabularies it re-locates ambiguity to other places.

Location, location, location is an account of geo-political layers at work. Following the itinerant archive of Mundaneum through the capital of Europe, we encounter local, national and global Utopias that in turn leave their imprint on the way the stories play out. From the hyperlocal to the global, this chapter traces patterns in the physical landscape.

Cross-readings consists of lists, image collections and other materials that make connections emerge between historical and contemporary readings, unearthing possible spiritual or mystical underpinnings of the Mundaneum, and transversal inclusions of the same elements in between different locations.

The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological instruments that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. Only then can we go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.
  1. Jean-Michel Djian, Le Mundaneum, Google de papier, Le Monde Magazine, 19 december 2009
  2. Jean-Michel Djian, Le Mundaneum, Google de papier, Le Monde Magazine, 19 december 2009
  3. Sergey and I are seriously in the business of starting new things. Alphabet will also include our X lab, which incubates new efforts like Wing, our drone delivery effort. We are also stoked about growing our investment arms, Ventures and Capital, as part of this new structure. Alphabet Inc. will replace Google Inc. as the publicly-traded entity (...) Google will become a wholly-owned subsidiary of Alphabet https://abc.xyz/
  4. http://mondotheque.be
  5. The Mundaneum is an Idea, an Institution, a Method, a Body of workmaterials and Collections, a Building, a Network. Paul Otlet, Monde (1935)
  6. The analyses of these themes are transmitted through narratives -- mythologies or fictions, which I have renamed as "figurations" or cartographies of the present. A cartography is a politically informed map of one's historical and social locations, enabling the analysis of situated formations of power and hence the elaboration of adequate forms of resistance Rosi Braidotti, Nomadic Theory (2011)
  7. Some people have said, "Why do I need the Semantic Web? I have Google!" Google is great for helping people find things, yes! But finding things more easily is not the same thing as using the Semantic Web. It's about creating things from data you've complied yourself, or combining it with volumes (think databases, not so much individual documents) of data from other sources to make new discoveries. It's about the ability to use and reuse vast volumes of data. Yes, Google can claim to index billions of pages, but given the format of those diverse pages, there may not be a whole lot more the search engine tool can reliably do. We're looking at applications that enable transformations, by being able to take large amounts of data and be able to run models on the fly - whether these are financial models for oil futures, discovering the synergies between biology and chemistry researchers in the Life Sciences, or getting the best price and service on a new pair of hiking boots. Tim Berners-Lee interviewed in Consortium Standards Bulletin, 2005 http://www.consortiuminfo.org/bulletins/semanticweb.php
  8. Jean-Michel Djian, Le Mundaneum, Google de papier, Le Monde Magazine, 19 december 2009
  9. Jean-Michel Djian, Le Mundaneum, Google de papier, Le Monde Magazine, 19 december 2009
  10. Sergey and I are seriously in the business of starting new things. Alphabet will also include our X lab, which incubates new efforts like Wing, our drone delivery effort. We are also stoked about growing our investment arms, Ventures and Capital, as part of this new structure. Alphabet Inc. will replace Google Inc. as the publicly-traded entity (...) Google will become a wholly-owned subsidiary of Alphabet https://abc.xyz/
  11. http://mondotheque.be
  12. The Mundaneum is an Idea, an Institution, a Method, a Body of workmaterials and Collections, a Building, a Network. Paul Otlet, Monde (1935)
  13. The analyses of these themes are transmitted through narratives -- mythologies or fictions, which I have renamed as "figurations" or cartographies of the present. A cartography is a politically informed map of one's historical and social locations, enabling the analysis of situated formations of power and hence the elaboration of adequate forms of resistance Rosi Braidotti, Nomadic Theory (2011)
  14. Some people have said, "Why do I need the Semantic Web? I have Google!" Google is great for helping people find things, yes! But finding things more easily is not the same thing as using the Semantic Web. It's about creating things from data you've complied yourself, or combining it with volumes (think databases, not so much individual documents) of data from other sources to make new discoveries. It's about the ability to use and reuse vast volumes of data. Yes, Google can claim to index billions of pages, but given the format of those diverse pages, there may not be a whole lot more the search engine tool can reliably do. We're looking at applications that enable transformations, by being able to take large amounts of data and be able to run models on the fly - whether these are financial models for oil futures, discovering the synergies between biology and chemistry researchers in the Life Sciences, or getting the best price and service on a new pair of hiking boots. Tim Berners-Lee interviewed in Consortium Standards Bulletin, 2005 http://www.consortiuminfo.org/bulletins/semanticweb.php

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