https://www.mondotheque.be/wiki/index.php?title=Introduction&feed=atom&action=historyIntroduction - Revision history2024-03-29T09:01:10ZRevision history for this page on the wikiMediaWiki 1.27.1https://www.mondotheque.be/wiki/index.php?title=Introduction&diff=8476&oldid=prevFS at 21:27, 2 August 20162016-08-02T21:27:07Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological infrastructures that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. It is necessary to go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological infrastructures that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. It is necessary to go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
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</table>FShttps://www.mondotheque.be/wiki/index.php?title=Introduction&diff=8474&oldid=prevFS at 21:23, 2 August 20162016-08-02T21:23:58Z<p></p>
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</table>FShttps://www.mondotheque.be/wiki/index.php?title=Introduction&diff=8464&oldid=prevFS at 19:38, 2 August 20162016-08-02T19:38:25Z<p></p>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[File:Unnamed.jpg|300px<del class="diffchange diffchange-inline">]</del>|thumb|none|Paul Otlet, design for Mondotheque (Mundaneum archive center, Mons)]]</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[File:Unnamed.jpg|300px|thumb|none|Paul Otlet, design for Mondotheque (Mundaneum archive center, Mons)]]</div></td></tr>
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</table>FShttps://www.mondotheque.be/wiki/index.php?title=Introduction&diff=8462&oldid=prevFS at 19:32, 2 August 20162016-08-02T19:32:52Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological infrastructures that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. It is necessary to go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological infrastructures that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. It is necessary to go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[File:Unnamed.jpg|300px]|thumb|none|Paul Otlet, design for Mondotheque (Mundaneum archive center, Mons)]]</ins></div></td></tr>
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</table>FShttps://www.mondotheque.be/wiki/index.php?title=Introduction&diff=8334&oldid=prevFS at 05:57, 1 August 20162016-08-01T05:57:23Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This ''Radiated Book'' started three years ago with an e-mail from the [[Mundaneum]] archive center in Mons. It announced that [[Elio di Rupo]], then prime minister of Belgium, was about to sign a collaboration agreement between the archive center and Google. The newsletter cited an article in the French newspaper Le Monde that coined the Mundaneum as 'Google on paper' <ref>Jean-Michel Djian, ''Le Mundaneum, Google de papier'', Le Monde  Magazine, 19 december 2009</ref>. It was our first encounter with many variations on the same theme.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This ''Radiated Book'' started three years ago with an e-mail from the [[Mundaneum]] archive center in Mons. It announced that [[Elio di Rupo]], then prime minister of Belgium, was about to sign a collaboration agreement between the archive center and Google. The newsletter cited an article in the French newspaper Le Monde that coined the Mundaneum as 'Google on paper' <ref>Jean-Michel Djian, ''Le Mundaneum, Google de papier'', Le Monde  Magazine, 19 december 2009</ref>. It was our first encounter with many variations on the same theme.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo<ref>''Dans une ambiance où tous les partenaires du «projet Saint-Ghislain» de Google savouraient en silence la confirmation du jour, les anecdotes sur la discrétion imposée durant 18 mois n’ont pas manqué. Outre l’utilisation d’un nom de code, Crystal Computing, qui a valu un jour à Elio Di Rupo d’être interrogé sur l’éventuelle arrivée d’une cristallerie en Wallonie (« J’ai fait diversion comme j’ai pu ! », se souvient-il), un accord de confidentialité liait Google, l’Awex et l’Idea, notamment. « À plusieurs reprises, on a eu chaud, parce qu’il était prévu qu’au moindre couac sur ce point, Google arrêtait tout »''  Libre Belgique, 27 april 2007</ref>. Due to the re-branding of Paul Otlet as  ‘founding father of the Internet’, Otlet's oeuvre finally started to receive international attention. Local politicians wanting to transform the industrial heartland into a home for The Internet Age seized the moment and made the Mundaneum a central node in their campaigns. Google — grateful for discovering its posthumous francophone roots — sent chief evangelist [[Vint Cerf]] to the Mundaneum. <del class="diffchange diffchange-inline">In turn</del>, the archive center allowed the company to publish hundreds of documents on the website of [[Google Cultural Institute]].</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo<ref>''Dans une ambiance où tous les partenaires du «projet Saint-Ghislain» de Google savouraient en silence la confirmation du jour, les anecdotes sur la discrétion imposée durant 18 mois n’ont pas manqué. Outre l’utilisation d’un nom de code, Crystal Computing, qui a valu un jour à Elio Di Rupo d’être interrogé sur l’éventuelle arrivée d’une cristallerie en Wallonie (« J’ai fait diversion comme j’ai pu ! », se souvient-il), un accord de confidentialité liait Google, l’Awex et l’Idea, notamment. « À plusieurs reprises, on a eu chaud, parce qu’il était prévu qu’au moindre couac sur ce point, Google arrêtait tout »''  Libre Belgique, 27 april 2007</ref>. Due to the re-branding of Paul Otlet as  ‘founding father of the Internet’, Otlet's oeuvre finally started to receive international attention. Local politicians wanting to transform the industrial heartland into a home for The Internet Age seized the moment and made the Mundaneum a central node in their campaigns. Google — grateful for discovering its posthumous francophone roots — sent chief evangelist [[Vint Cerf]] to the Mundaneum. <ins class="diffchange diffchange-inline">Meanwhile</ins>, the archive center allowed the company to publish hundreds of documents on the website of [[Google Cultural Institute]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>While the visual resemblance between a row of index drawers and a server park might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by [[Paul Otlet]] and [[Henri Lafontaine]] with the enterprise of the search giant. The statement 'Google on paper' acted as a provocation, evoking other cases in other places where geographically situated histories are turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>While the visual resemblance between a row of index drawers and a server park might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by [[Paul Otlet]] and [[Henri Lafontaine]] with the enterprise of the search giant. The statement 'Google on paper' acted as a provocation, evoking other cases in other places where geographically situated histories are turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.</div></td></tr>
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<td colspan="2" class="diff-lineno">Line 7:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>An international band of artists, archivists and activists set out to unravel the many layers of this mesh. The direct comparison between the historical Mundaneum project and the mission of Alphabet Inc<ref>''Sergey and I are seriously in the business of starting new things. Alphabet will also include our X lab, which incubates new efforts like Wing, our drone delivery effort. We are also stoked about growing our investment arms, Ventures and Capital, as part of this new structure. Alphabet Inc. will replace Google Inc. as the publicly-traded entity (...) Google will become a wholly-owned subsidiary of Alphabet'' https://abc.xyz/</ref> speaks of manipulative simplification on multiple levels, but to de-tangle its implications was easier said than done. Some of us were drawn in by misrepresentations of the oeuvre of Otlet himself, others felt the need to give an account of its Brussels' roots, to re-insert the work of maintenance and caretaking into the his/story of founding fathers, or joined out of concern with the future of cultural institutions and libraries in digital times.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>An international band of artists, archivists and activists set out to unravel the many layers of this mesh. The direct comparison between the historical Mundaneum project and the mission of Alphabet Inc<ref>''Sergey and I are seriously in the business of starting new things. Alphabet will also include our X lab, which incubates new efforts like Wing, our drone delivery effort. We are also stoked about growing our investment arms, Ventures and Capital, as part of this new structure. Alphabet Inc. will replace Google Inc. as the publicly-traded entity (...) Google will become a wholly-owned subsidiary of Alphabet'' https://abc.xyz/</ref> speaks of manipulative simplification on multiple levels, but to de-tangle its implications was easier said than done. Some of us were drawn in by misrepresentations of the oeuvre of Otlet himself, others felt the need to give an account of its Brussels' roots, to re-insert the work of maintenance and caretaking into the his/story of founding fathers, or joined out of concern with the future of cultural institutions and libraries in digital times.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>We installed a Semantic MediaWiki and named it after the Mondothèque, a device imagined by Paul Otlet in 1934. The wiki functioned as an online repository and frame of reference for the work that was developed through meetings, visits and presentations<ref>http://mondotheque.be</ref>. For Otlet, the Mondothèque was to be an 'intellectual machine': at the same time archive, link generator, writing desk, catalog and broadcast station. Thinking the museum, the library, the encyclopedia, and classificatory language as a complex and interdependent web of relations, Otlet imagined each element as a point of entry for the other. He stressed that responses to displays in a museum involved intellectual and social processes that where different from those involved in reading books in a library, but that one in a sense entailed the other. <ref>''The Mundaneum is an Idea, an Institution, a Method, a Body of workmaterials and Collections, a Building, a Network''. Paul Otlet, Monde (1935)</ref>. The dreamed capacity of <del class="diffchange diffchange-inline">the </del>Mondothèque was to interface scales, perspectives and media at the intersection of all those different practices. For us, by transporting a historical device into the future, it figured as a kind of thinking machine, a place to analyse historical and social locations of the Mundaneum project, a platform to envision our persistent interventions together. The speculative figure of Mondothèque enabled us to begin to understand the situated formations of power around the project, and allowed us to think through possible forms of resistance. <ref>''The analyses of these themes are transmitted through narratives -- mythologies or fictions, which I have renamed as "figurations" or cartographies of the present. A cartography is a politically informed map of one's historical and social locations, enabling the analysis of situated formations of power and hence the elaboration of adequate forms of resistance'' Rosi Braidotti, Nomadic Theory (2011)</ref></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>We installed a Semantic MediaWiki and named it after the Mondothèque, a device imagined by Paul Otlet in 1934. The wiki functioned as an online repository and frame of reference for the work that was developed through meetings, visits and presentations<ref>http://mondotheque.be</ref>. For Otlet, the Mondothèque was to be an 'intellectual machine': at the same time archive, link generator, writing desk, catalog and broadcast station. Thinking the museum, the library, the encyclopedia, and classificatory language as a complex and interdependent web of relations, Otlet imagined each element as a point of entry for the other. He stressed that responses to displays in a museum involved intellectual and social processes that where different from those involved in reading books in a library, but that one in a sense entailed the other. <ref>''The Mundaneum is an Idea, an Institution, a Method, a Body of workmaterials and Collections, a Building, a Network''. Paul Otlet, Monde (1935)</ref>. The dreamed capacity of <ins class="diffchange diffchange-inline">his </ins>Mondothèque was to interface scales, perspectives and media at the intersection of all those different practices. For us, by transporting a historical device into the future, it figured as a kind of thinking machine, a place to analyse historical and social locations of the Mundaneum project, a platform to envision our persistent interventions together. The speculative figure of Mondothèque enabled us to begin to understand the situated formations of power around the project, and allowed us to think through possible forms of resistance. <ref>''The analyses of these themes are transmitted through narratives -- mythologies or fictions, which I have renamed as "figurations" or cartographies of the present. A cartography is a politically informed map of one's historical and social locations, enabling the analysis of situated formations of power and hence the elaboration of adequate forms of resistance'' Rosi Braidotti, Nomadic Theory (2011)</ref></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The wiki at http://mondotheque.be grew into a labyrinth of images, texts, maps and semantic links, tools and vocabularies. MediaWiki is a Free software infrastructure developed in the context of Wikipedia and comes with many assumptions about the kind of connections and practices that are desirable. We wanted to work with Semantic extensions specifically because we were interested in the way The Semantic Web<ref>''Some people have said, "Why do I need the Semantic Web? I have Google!" Google is great for helping people find things, yes! But finding things more easily is not the same thing as using the Semantic Web. It's about creating things from data you've complied yourself, or combining it with volumes (think databases, not so much individual documents) of data from other sources to make new discoveries. It's about the ability to use and reuse vast volumes of data. Yes, Google can claim to index billions of pages, but given the format of those diverse pages, there may not be a whole lot more the search engine tool can reliably do. We're looking at applications that enable transformations, by being able to take large amounts of data and be able to run models on the fly - whether these are financial models for oil futures, discovering the synergies between biology and chemistry researchers in the Life Sciences, or getting the best price and service on a new pair of hiking boots.'' Tim Berners-Lee interviewed in Consortium Standards Bulletin, 2005 http://www.consortiuminfo.org/bulletins/semanticweb.php</ref> seemed to resemble Otlet's Universal Decimal Classification system. At many moments we felt ourselves going down <del class="diffchange diffchange-inline">the </del>rabbit-holes of universal completeness, endless categorisation and nauseas of scale. It made the work at times uncomfortable, messy and unruly, but it allowed us to do the work of unravelling in public, mixing political urgency with poetic experiments.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The wiki at http://mondotheque.be grew into a labyrinth of images, texts, maps and semantic links, tools and vocabularies. MediaWiki is a Free software infrastructure developed in the context of Wikipedia and comes with many assumptions about the kind of connections and practices that are desirable. We wanted to work with Semantic extensions specifically because we were interested in the way The Semantic Web<ref>''Some people have said, "Why do I need the Semantic Web? I have Google!" Google is great for helping people find things, yes! But finding things more easily is not the same thing as using the Semantic Web. It's about creating things from data you've complied yourself, or combining it with volumes (think databases, not so much individual documents) of data from other sources to make new discoveries. It's about the ability to use and reuse vast volumes of data. Yes, Google can claim to index billions of pages, but given the format of those diverse pages, there may not be a whole lot more the search engine tool can reliably do. We're looking at applications that enable transformations, by being able to take large amounts of data and be able to run models on the fly - whether these are financial models for oil futures, discovering the synergies between biology and chemistry researchers in the Life Sciences, or getting the best price and service on a new pair of hiking boots.'' Tim Berners-Lee interviewed in Consortium Standards Bulletin, 2005 http://www.consortiuminfo.org/bulletins/semanticweb.php</ref> seemed to resemble Otlet's Universal Decimal Classification system. At many moments we felt ourselves going down rabbit-holes of universal completeness, endless categorisation and nauseas of scale. It made the work at times uncomfortable, messy and unruly, but it allowed us to do the work of unravelling in public, mixing political urgency with poetic experiments.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This ''Radiated Book'' was made because we wanted to create a moment, an incision into that radiating process that allowed us to invite many others a look at the interrelated materials without the need to provide a conclusive document. As a salute to Otlet's ever expanding ''Radiated Library'', we decided to use the MediaWiki installation to write, edit and generate the publication which explains some of the welcome anomalies on the very pages of this book.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This ''Radiated Book'' was made because we wanted to create a moment, an incision into that radiating process that allowed us to invite many others a look at the interrelated materials without the need to provide a conclusive document. As a salute to Otlet's ever expanding ''Radiated Library'', we decided to use the MediaWiki installation to write, edit and generate the publication which explains some of the welcome anomalies on the very pages of this book.</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''Cross-readings'' consists of lists, image collections and other materials that make connections emerge between historical and contemporary readings, unearthing possible spiritual or mystical underpinnings of the Mundaneum, and transversal inclusions of the same elements in between different locations.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''Cross-readings'' consists of lists, image collections and other materials that make connections emerge between historical and contemporary readings, unearthing possible spiritual or mystical underpinnings of the Mundaneum, and transversal inclusions of the same elements in between different locations.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological <del class="diffchange diffchange-inline">instruments </del>that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. It is necessary to go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological <ins class="diffchange diffchange-inline">infrastructures </ins>that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. It is necessary to go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo<ref>''Dans une ambiance où tous les partenaires du «projet Saint-Ghislain» de Google savouraient en silence la confirmation du jour, les anecdotes sur la discrétion imposée durant 18 mois n’ont pas manqué. Outre l’utilisation d’un nom de code, Crystal Computing, qui a valu un jour à Elio Di Rupo d’être interrogé sur l’éventuelle arrivée d’une cristallerie en Wallonie (« J’ai fait diversion comme j’ai pu ! », se souvient-il), un accord de confidentialité liait Google, l’Awex et l’Idea, notamment. « À plusieurs reprises, on a eu chaud, parce qu’il était prévu qu’au moindre couac sur ce point, Google arrêtait tout »''  Libre Belgique, 27 april 2007</ref>. Due to the re-branding of Paul Otlet as  ‘founding father of the Internet’, Otlet's oeuvre finally started to receive international attention. Local politicians wanting to transform the industrial heartland into a home for The Internet Age seized the moment and made the Mundaneum a central node in their campaigns. Google — grateful for discovering its posthumous francophone roots — sent chief evangelist [[Vint Cerf]] to the Mundaneum. In turn, the archive center allowed the company to publish hundreds of documents on the website of [[Google Cultural Institute]].</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo<ref>''Dans une ambiance où tous les partenaires du «projet Saint-Ghislain» de Google savouraient en silence la confirmation du jour, les anecdotes sur la discrétion imposée durant 18 mois n’ont pas manqué. Outre l’utilisation d’un nom de code, Crystal Computing, qui a valu un jour à Elio Di Rupo d’être interrogé sur l’éventuelle arrivée d’une cristallerie en Wallonie (« J’ai fait diversion comme j’ai pu ! », se souvient-il), un accord de confidentialité liait Google, l’Awex et l’Idea, notamment. « À plusieurs reprises, on a eu chaud, parce qu’il était prévu qu’au moindre couac sur ce point, Google arrêtait tout »''  Libre Belgique, 27 april 2007</ref>. Due to the re-branding of Paul Otlet as  ‘founding father of the Internet’, Otlet's oeuvre finally started to receive international attention. Local politicians wanting to transform the industrial heartland into a home for The Internet Age seized the moment and made the Mundaneum a central node in their campaigns. Google — grateful for discovering its posthumous francophone roots — sent chief evangelist [[Vint Cerf]] to the Mundaneum. In turn, the archive center allowed the company to publish hundreds of documents on the website of [[Google Cultural Institute]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>While the <del class="diffchange diffchange-inline">physical </del>resemblance between a row of index drawers and a server <del class="diffchange diffchange-inline">farm </del>might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by [[Paul Otlet]] and [[Henri Lafontaine]] with the enterprise of the search giant. The statement 'Google on paper' acted as a provocation, evoking other cases in other places where geographically situated histories are turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>While the <ins class="diffchange diffchange-inline">visual </ins>resemblance between a row of index drawers and a server <ins class="diffchange diffchange-inline">park </ins>might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by [[Paul Otlet]] and [[Henri Lafontaine]] with the enterprise of the search giant. The statement 'Google on paper' acted as a provocation, evoking other cases in other places where geographically situated histories are turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>An international band of artists, archivists and activists set out to unravel the many layers of this mesh. The direct comparison between the historical Mundaneum project and the mission of Alphabet Inc<ref>''Sergey and I are seriously in the business of starting new things. Alphabet will also include our X lab, which incubates new efforts like Wing, our drone delivery effort. We are also stoked about growing our investment arms, Ventures and Capital, as part of this new structure. Alphabet Inc. will replace Google Inc. as the publicly-traded entity (...) Google will become a wholly-owned subsidiary of Alphabet'' https://abc.xyz/</ref> speaks of manipulative simplification on multiple levels, but to de-tangle its implications was easier said than done. Some of us were drawn in by misrepresentations of the oeuvre of Otlet himself, others felt the need to give an account of its Brussels' roots, to re-insert the work of maintenance and caretaking into the his/story of founding fathers, or joined out of concern with the future of cultural institutions and libraries in digital times.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>An international band of artists, archivists and activists set out to unravel the many layers of this mesh. The direct comparison between the historical Mundaneum project and the mission of Alphabet Inc<ref>''Sergey and I are seriously in the business of starting new things. Alphabet will also include our X lab, which incubates new efforts like Wing, our drone delivery effort. We are also stoked about growing our investment arms, Ventures and Capital, as part of this new structure. Alphabet Inc. will replace Google Inc. as the publicly-traded entity (...) Google will become a wholly-owned subsidiary of Alphabet'' https://abc.xyz/</ref> speaks of manipulative simplification on multiple levels, but to de-tangle its implications was easier said than done. Some of us were drawn in by misrepresentations of the oeuvre of Otlet himself, others felt the need to give an account of its Brussels' roots, to re-insert the work of maintenance and caretaking into the his/story of founding fathers, or joined out of concern with the future of cultural institutions and libraries in digital times.</div></td></tr>
</table>FShttps://www.mondotheque.be/wiki/index.php?title=Introduction&diff=8284&oldid=prevFS at 22:16, 9 July 20162016-07-09T22:16:25Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 22:16, 9 July 2016</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This ''Radiated Book'' started three years ago with an e-mail from the [[Mundaneum]] archive center in Mons. <del class="diffchange diffchange-inline">In-between exclamation marks it </del>announced that [[Elio di Rupo]], then prime minister of Belgium, was about to sign a collaboration agreement between the archive center and Google. The newsletter cited an article in the French newspaper Le Monde that coined the Mundaneum as 'Google on paper' <ref>Jean-Michel Djian, ''Le Mundaneum, Google de papier'', Le Monde  Magazine, 19 december 2009</ref>. It was our first encounter with many variations on the same theme.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This ''Radiated Book'' started three years ago with an e-mail from the [[Mundaneum]] archive center in Mons. <ins class="diffchange diffchange-inline">It </ins>announced that [[Elio di Rupo]], then prime minister of Belgium, was about to sign a collaboration agreement between the archive center and Google. The newsletter cited an article in the French newspaper Le Monde that coined the Mundaneum as 'Google on paper' <ref>Jean-Michel Djian, ''Le Mundaneum, Google de papier'', Le Monde  Magazine, 19 december 2009</ref>. It was our first encounter with many variations on the same theme.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo. Due to the re-branding of Paul Otlet as <del class="diffchange diffchange-inline">a </del>‘founding father of the Internet’<del class="diffchange diffchange-inline">, and ‘visionary inventor of Google on paper’</del>, Otlet's oeuvre finally <del class="diffchange diffchange-inline">start </del>to receive international attention. <del class="diffchange diffchange-inline">Di Rupo seized the moment by turning the Mundaneum into a central node in his campaign </del>to transform the industrial heartland into a home for The Internet Age. Google — grateful for discovering posthumous <del class="diffchange diffchange-inline">its </del>francophone roots — sent chief evangelist [[Vint Cerf]] to the Mundaneum. In turn, the archive center allowed the company to publish hundreds of documents on the website of [[Google Cultural Institute]].</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo<ins class="diffchange diffchange-inline"><ref>''Dans une ambiance où tous les partenaires du «projet Saint-Ghislain» de Google savouraient en silence la confirmation du jour, les anecdotes sur la discrétion imposée durant 18 mois n’ont pas manqué. Outre l’utilisation d’un nom de code, Crystal Computing, qui a valu un jour à Elio Di Rupo d’être interrogé sur l’éventuelle arrivée d’une cristallerie en Wallonie (« J’ai fait diversion comme j’ai pu ! », se souvient-il), un accord de confidentialité liait Google, l’Awex et l’Idea, notamment. « À plusieurs reprises, on a eu chaud, parce qu’il était prévu qu’au moindre couac sur ce point, Google arrêtait tout »''  Libre Belgique, 27 april 2007</ref></ins>. Due to the re-branding of Paul Otlet as <ins class="diffchange diffchange-inline"> </ins>‘founding father of the Internet’, Otlet's oeuvre finally <ins class="diffchange diffchange-inline">started </ins>to receive international attention. <ins class="diffchange diffchange-inline">Local politicians wanting </ins>to transform the industrial heartland into a home for The Internet Age <ins class="diffchange diffchange-inline">seized the moment and made the Mundaneum a central node in their campaigns</ins>. Google — grateful for discovering <ins class="diffchange diffchange-inline">its </ins>posthumous francophone roots — sent chief evangelist [[Vint Cerf]] to the Mundaneum. In turn, the archive center allowed the company to publish hundreds of documents on the website of [[Google Cultural Institute]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>While the physical resemblance between a row of drawers and a server farm might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by [[Paul Otlet]] and [[Henri Lafontaine]] with the enterprise of the search giant. The statement 'Google on paper' acted as a provocation, evoking other cases where geographically situated histories are <del class="diffchange diffchange-inline">being </del>turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>While the physical resemblance between a row of <ins class="diffchange diffchange-inline">index </ins>drawers and a server farm might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by [[Paul Otlet]] and [[Henri Lafontaine]] with the enterprise of the search giant. The statement 'Google on paper' acted as a provocation, evoking other cases <ins class="diffchange diffchange-inline">in other places </ins>where geographically situated histories are turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>An international band of artists, archivists and activists set out to unravel the many layers of this <del class="diffchange diffchange-inline">story</del>. <del class="diffchange diffchange-inline">Meshing </del>the historical Mundaneum project <del class="diffchange diffchange-inline">with </del>the mission of Alphabet Inc<ref>''Sergey and I are seriously in the business of starting new things. Alphabet will also include our X lab, which incubates new efforts like Wing, our drone delivery effort. We are also stoked about growing our investment arms, Ventures and Capital, as part of this new structure. Alphabet Inc. will replace Google Inc. as the publicly-traded entity (...) Google will become a wholly-owned subsidiary of Alphabet'' https://abc.xyz/</ref> speaks of manipulative simplification on multiple levels, but to de-tangle its implications was easier said than done. Some of us were drawn by <del class="diffchange diffchange-inline">the misrepresentation </del>of the oeuvre of <del class="diffchange diffchange-inline">Paul </del>Otlet himself, others felt the <del class="diffchange diffchange-inline">urgency </del>to give an account of its Brussels' roots, <del class="diffchange diffchange-inline">or </del>to re-insert the work of maintenance and <del class="diffchange diffchange-inline">care taking </del>into the his/story of <del class="diffchange diffchange-inline">forefathers and </del>founding fathers, <del class="diffchange diffchange-inline">yet others </del>joined out of concern with the <del class="diffchange diffchange-inline">bleak </del>future of cultural institutions.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>An international band of artists, archivists and activists set out to unravel the many layers of this <ins class="diffchange diffchange-inline">mesh</ins>. <ins class="diffchange diffchange-inline">The direct comparison between </ins>the historical Mundaneum project <ins class="diffchange diffchange-inline">and </ins>the mission of Alphabet Inc<ref>''Sergey and I are seriously in the business of starting new things. Alphabet will also include our X lab, which incubates new efforts like Wing, our drone delivery effort. We are also stoked about growing our investment arms, Ventures and Capital, as part of this new structure. Alphabet Inc. will replace Google Inc. as the publicly-traded entity (...) Google will become a wholly-owned subsidiary of Alphabet'' https://abc.xyz/</ref> speaks of manipulative simplification on multiple levels, but to de-tangle its implications was easier said than done. Some of us were drawn <ins class="diffchange diffchange-inline">in </ins>by <ins class="diffchange diffchange-inline">misrepresentations </ins>of the oeuvre of Otlet himself, others felt the <ins class="diffchange diffchange-inline">need </ins>to give an account of its Brussels' roots, to re-insert the work of maintenance and <ins class="diffchange diffchange-inline">caretaking </ins>into the his/story of founding fathers, <ins class="diffchange diffchange-inline">or </ins>joined out of concern with the future of cultural institutions <ins class="diffchange diffchange-inline">and libraries in digital times</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>We installed a Semantic MediaWiki and named it after the Mondothèque, a device imagined by Paul Otlet in 1934. The wiki functioned as an online repository and frame of reference for the work that was developed through meetings, visits and presentations<del class="diffchange diffchange-inline">. </del><ref>http://mondotheque.be</ref> For Otlet, the Mondothèque was to be an 'intellectual machine': at the same time archive, link generator, writing desk, catalog and broadcast station. Thinking the museum, the library, the encyclopedia, and classificatory language as a complex and interdependent web of relations, Otlet imagined each element as a point of entry for the other. He stressed that responses to displays in a museum involved intellectual and social processes that where different from those involved in reading books in a library, but that one in a sense entailed the other. <ref>''The Mundaneum is an Idea, an Institution, a Method, a Body of workmaterials and Collections, a Building, a Network''. Paul Otlet, Monde (1935)</ref>. The dreamed capacity of the Mondothèque was to interface scales, perspectives and media at the intersection of all those different practices. For us, by transporting a historical device into the future, it figured as a kind of <del class="diffchange diffchange-inline">'</del>thinking machine<del class="diffchange diffchange-inline">'</del>, a place to analyse historical and social locations of the Mundaneum project, a platform to envision our <del class="diffchange diffchange-inline">small but </del>persistent interventions together. The speculative figure of Mondothèque enabled us to begin to understand the situated formations of power around the project, and allowed us to think through possible forms of resistance. <ref>''The analyses of these themes are transmitted through narratives -- mythologies or fictions, which I have renamed as "figurations" or cartographies of the present. A cartography is a politically informed map of one's historical and social locations, enabling the analysis of situated formations of power and hence the elaboration of adequate forms of resistance'' Rosi Braidotti, Nomadic Theory (2011)</ref></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>We installed a Semantic MediaWiki and named it after the Mondothèque, a device imagined by Paul Otlet in 1934. The wiki functioned as an online repository and frame of reference for the work that was developed through meetings, visits and presentations<ref>http://mondotheque.be</ref><ins class="diffchange diffchange-inline">. </ins>For Otlet, the Mondothèque was to be an 'intellectual machine': at the same time archive, link generator, writing desk, catalog and broadcast station. Thinking the museum, the library, the encyclopedia, and classificatory language as a complex and interdependent web of relations, Otlet imagined each element as a point of entry for the other. He stressed that responses to displays in a museum involved intellectual and social processes that where different from those involved in reading books in a library, but that one in a sense entailed the other. <ref>''The Mundaneum is an Idea, an Institution, a Method, a Body of workmaterials and Collections, a Building, a Network''. Paul Otlet, Monde (1935)</ref>. The dreamed capacity of the Mondothèque was to interface scales, perspectives and media at the intersection of all those different practices. For us, by transporting a historical device into the future, it figured as a kind of thinking machine, a place to analyse historical and social locations of the Mundaneum project, a platform to envision our persistent interventions together. The speculative figure of Mondothèque enabled us to begin to understand the situated formations of power around the project, and allowed us to think through possible forms of resistance. <ref>''The analyses of these themes are transmitted through narratives -- mythologies or fictions, which I have renamed as "figurations" or cartographies of the present. A cartography is a politically informed map of one's historical and social locations, enabling the analysis of situated formations of power and hence the elaboration of adequate forms of resistance'' Rosi Braidotti, Nomadic Theory (2011)</ref></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The wiki at http://mondotheque.be grew into a labyrinth of images, texts, maps and semantic links, tools and vocabularies. MediaWiki is a Free software infrastructure developed in the context of Wikipedia and comes with many assumptions about the kind of connections and practices that are desirable. We wanted to work with Semantic extensions specifically because we were interested in the way The Semantic Web<ref>''Some people have said, "Why do I need the Semantic Web? I have Google!" Google is great for helping people find things, yes! But finding things more easily is not the same thing as using the Semantic Web. It's about creating things from data you've complied yourself, or combining it with volumes (think databases, not so much individual documents) of data from other sources to make new discoveries. It's about the ability to use and reuse vast volumes of data. Yes, Google can claim to index billions of pages, but given the format of those diverse pages, there may not be a whole lot more the search engine tool can reliably do. We're looking at applications that enable transformations, by being able to take large amounts of data and be able to run models on the fly - whether these are financial models for oil futures, discovering the synergies between biology and chemistry researchers in the Life Sciences, or getting the best price and service on a new pair of hiking boots.'' Tim Berners-Lee interviewed in Consortium Standards Bulletin, 2005 http://www.consortiuminfo.org/bulletins/semanticweb.php</ref> seemed to resemble Otlet's Universal Decimal Classification system. At many moments we felt ourselves going down the rabbit-holes of universal completeness, endless categorisation and nauseas of scale. It made the work at times uncomfortable, messy and unruly, but it allowed us to do the work of unravelling in public, mixing political urgency with poetic experiments.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The wiki at http://mondotheque.be grew into a labyrinth of images, texts, maps and semantic links, tools and vocabularies. MediaWiki is a Free software infrastructure developed in the context of Wikipedia and comes with many assumptions about the kind of connections and practices that are desirable. We wanted to work with Semantic extensions specifically because we were interested in the way The Semantic Web<ref>''Some people have said, "Why do I need the Semantic Web? I have Google!" Google is great for helping people find things, yes! But finding things more easily is not the same thing as using the Semantic Web. It's about creating things from data you've complied yourself, or combining it with volumes (think databases, not so much individual documents) of data from other sources to make new discoveries. It's about the ability to use and reuse vast volumes of data. Yes, Google can claim to index billions of pages, but given the format of those diverse pages, there may not be a whole lot more the search engine tool can reliably do. We're looking at applications that enable transformations, by being able to take large amounts of data and be able to run models on the fly - whether these are financial models for oil futures, discovering the synergies between biology and chemistry researchers in the Life Sciences, or getting the best price and service on a new pair of hiking boots.'' Tim Berners-Lee interviewed in Consortium Standards Bulletin, 2005 http://www.consortiuminfo.org/bulletins/semanticweb.php</ref> seemed to resemble Otlet's Universal Decimal Classification system. At many moments we felt ourselves going down the rabbit-holes of universal completeness, endless categorisation and nauseas of scale. It made the work at times uncomfortable, messy and unruly, but it allowed us to do the work of unravelling in public, mixing political urgency with poetic experiments.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This ''Radiated Book'' was made because we wanted to create a moment, an incision into that radiating process that allowed us to invite many others a look at the interrelated materials without the need to provide a conclusive document. As a salute to Otlet's ever expanding ''Radiated Library'', we decided to write, edit and generate the publication <del class="diffchange diffchange-inline">directly from the MediaWiki platform </del>which explains some of the welcome anomalies on the very pages of this <del class="diffchange diffchange-inline">object</del>.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This ''Radiated Book'' was made because we wanted to create a moment, an incision into that radiating process that allowed us to invite many others a look at the interrelated materials without the need to provide a conclusive document. As a salute to Otlet's ever expanding ''Radiated Library'', we decided <ins class="diffchange diffchange-inline">to use the MediaWiki installation </ins>to write, edit and generate the publication which explains some of the welcome anomalies on the very pages of this <ins class="diffchange diffchange-inline">book</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The four chapters that we propose each mix fact and fiction, text and image, document and catalogue. In this way, process and content are playing together and respond to the specific material entanglements that we encountered. Mondotheque, and as a consequence this ''Radiated book'', is a multi-threaded, durational, multi-scalar adventure that in some way diffracts the all-encompassing ambition that Mundaneum <del class="diffchange diffchange-inline">strived </del>for.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The four chapters that we propose each mix fact and fiction, text and image, document and catalogue. In this way, process and content are playing together and respond to the specific material entanglements that we encountered. Mondotheque, and as a consequence this ''Radiated book'', is a multi-threaded, durational, multi-scalar adventure that in some way diffracts the all-encompassing ambition that <ins class="diffchange diffchange-inline">the 19th century Utopia of </ins>Mundaneum <ins class="diffchange diffchange-inline">stood </ins>for.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''Embedded hierarchies'' addresses how classification systems, and the dream of their universal application actually operate. It brings together contributions that are concerned with knowledge infrastructures at different scales, from disobedient libraries, institutional practices of the digital archive, meta-data structures to indexing as a pathological condition.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''Embedded hierarchies'' addresses how classification systems, and the dream of their universal application actually operate. It brings together contributions that are concerned with knowledge infrastructures at different scales, from disobedient libraries, institutional practices of the digital archive, meta-data structures to indexing as a pathological condition.</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''Cross-readings'' consists of lists, image collections and other materials that make connections emerge between historical and contemporary readings, unearthing possible spiritual or mystical underpinnings of the Mundaneum, and transversal inclusions of the same elements in between different locations.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>''Cross-readings'' consists of lists, image collections and other materials that make connections emerge between historical and contemporary readings, unearthing possible spiritual or mystical underpinnings of the Mundaneum, and transversal inclusions of the same elements in between different locations.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological instruments that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. <del class="diffchange diffchange-inline">Only then can we </del>go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological instruments that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. <ins class="diffchange diffchange-inline">It is necessary to </ins>go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td></tr>
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</table>FShttps://www.mondotheque.be/wiki/index.php?title=Introduction&diff=8138&oldid=prevFS at 05:38, 28 June 20162016-06-28T05:38:25Z<p></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l25" >Line 25:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological instruments that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. Only then can we go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological instruments that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. Only then can we go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td></tr>
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</table>FShttps://www.mondotheque.be/wiki/index.php?title=Introduction&diff=7509&oldid=prevFS at 12:15, 16 June 20162016-06-16T12:15:34Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological instruments that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. Only then can we go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The point of modest operations such as Mondothèque is to build the collective courage to persist in demanding access to both the documents and the intellectual and technological instruments that interface and mediate them. Exactly because of the urgency of the situation, where the erosion of public institutions has become evident, and all forms of communication seem to feed into neo-liberal agendas eventually, we should resist simplifications and find the patience to build a relation to these histories in ways that makes sense. Only then can we go beyond the current techno-determinist paradigm of knowledge production, and for this, imagination is indispensable.</div></td></tr>
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</table>FShttps://www.mondotheque.be/wiki/index.php?title=Introduction&diff=7385&oldid=prevDickreckard at 16:34, 24 May 20162016-05-24T16:34:59Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 16:34, 24 May 2016</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This ''Radiated Book'' started three years ago with an e-mail from the [[Mundaneum]] archive center in Mons. In-between exclamation marks it announced that [[Elio di Rupo]], then prime minister of Belgium, was about to sign a collaboration agreement between the archive center and Google. The newsletter cited an article in the French newspaper Le Monde that coined the Mundaneum as 'Google on paper' <ref>Jean-Michel Djian, ''Le Mundaneum, Google de papier'', Le Monde  Magazine, 19 december 2009</ref>. It was our first encounter with many variations on the same theme.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This ''Radiated Book'' started three years ago with an e-mail from the [[Mundaneum]] archive center in Mons. In-between exclamation marks it announced that [[Elio di Rupo]], then prime minister of Belgium, was about to sign a collaboration agreement between the archive center and Google. The newsletter cited an article in the French newspaper Le Monde that coined the Mundaneum as 'Google on paper' <ref>Jean-Michel Djian, ''Le Mundaneum, Google de papier'', Le Monde  Magazine, 19 december 2009</ref>. It was our first encounter with many variations on the same theme.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo. Due to the re-branding of Paul Otlet as a ‘founding father of the Internet’, and ‘visionary inventor of Google on paper’, Otlet's oeuvre finally start to receive international attention. Di Rupo <del class="diffchange diffchange-inline">ceased </del>the moment by turning the Mundaneum into a central node in his campaign to transform the industrial heartland into a home for The Internet Age. Google — grateful for discovering posthumous its francophone roots — sent chief evangelist [[Vint Cerf]] to the Mundaneum. In turn, the archive center allowed the company to publish hundreds of documents on the website of [[Google Cultural Institute]].</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo. Due to the re-branding of Paul Otlet as a ‘founding father of the Internet’, and ‘visionary inventor of Google on paper’, Otlet's oeuvre finally start to receive international attention. Di Rupo <ins class="diffchange diffchange-inline">seized </ins>the moment by turning the Mundaneum into a central node in his campaign to transform the industrial heartland into a home for The Internet Age. Google — grateful for discovering posthumous its francophone roots — sent chief evangelist [[Vint Cerf]] to the Mundaneum. In turn, the archive center allowed the company to publish hundreds of documents on the website of [[Google Cultural Institute]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>While the physical resemblance between a row of drawers and a server farm might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by [[Paul Otlet]] and [[Henri Lafontaine]] with the enterprise of the search giant. The statement 'Google on paper' acted as a provocation, evoking other cases where geographically situated histories are being turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>While the physical resemblance between a row of drawers and a server farm might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by [[Paul Otlet]] and [[Henri Lafontaine]] with the enterprise of the search giant. The statement 'Google on paper' acted as a provocation, evoking other cases where geographically situated histories are being turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.</div></td></tr>
</table>Dickreckard